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2007-04-08
Buffalo-Dead Forever

Review
Upon release in 1972, Vertigo Records proclaimed, "Dead Forever is better in quality, production and music-wise than Black Sabbath's Vol. 4." While hyperbolic marketing is nothing new, this statement is largely misguided, unfair to the band, and generally misrepresentative of Buffalo's powers. The mighty Sabbath are their most obvious influence, but for the most part they're better when attempting something other than primal heavy metal. The record opens with a satisfyingly dreamy, otherworldly tone that recalls post-Barrett Pink Floyd (oddly, they don't explore this style further), before making an abrupt and clumsy segue into Sabbath land, sounding like awkward teenagers struggling to emulate their heroes. But Buffalo is more accomplished than that, and they quickly prove it with "Suzy Sunshine," a cloudless blues-rock number that possesses a vocal closely resembling one Ozzy Osbourne — minus the doom-and-gloom. Guitarist John Baxter's talent becomes apparent here as well, an impression confirmed with his tasteful, Hendrix-inspired intro for "Pay My Dues." This Blues Image cover later features a nice trade-off between the two lead vocalists (yes there are two, yet neither plays an instrument), and during Free's "I'm a Mover" one or both of the vocalists hit high notes that would do any metal fan proud. "Ballad of Irving Fink" is a near-glam boogie rock tune with more fine vocalizing, and "Bean Stew" finds the group at the crossroads of late-'60s garage and early-'70s hard rock. A definite highlight. "Forrest Rain" is another detour, this one a moody, melancholy piece with a light psychedelic soundtrack and an Ozzy-like lyrical honesty. But the whole album seems like a warm-up when the awesome title track appears, a wobble-inducing Black Sabbath homage where the unit beams despite the morbid subject manner (led by Baxter, who really gives Tony Iommi a run for his money), and appears worthy of the extravagant publicity.
引(自rockmaniac)
來自澳洲雪梨的硬式搖滾團體叱吒於1972至1977年之間,此團在法國比在他們家鄉還受歡迎前身團名為HEAD,後才改名為BUFFALO.72年的首張專輯DEAD FOREVER強力的吉他 riffing酷似Black Sabbath的樂風為他們贏得了很好的名聲,他們在再接再厲的73年第二張專輯VOLCANIC ROCK更是持續的有佳績出現,音樂的力度更加飆悍無比充滿活力的動感律動讓人血脈歕張興奮不已!74年Only Want You For Your Body音樂的表現更是傾向於Heavy metal的力道JOHN BAXTER的瘋狂電吉他表現更是令人激賞,可惜的是自他離團後他們後續的兩張專輯76年Mother’s Choice77年Average Rock and Roll就回歸於主流的流行搖滾聲勢也大不如前.
無論如何他們的前3張專輯是所有硬搖迷必定要朝拜的必須必備專輯. -
2007-03-17
Grant Green-Feelin' The Spirit

62' 佳品
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2007-03-15
《恋恋风尘》电影原声

第一部我看的候孝贤的片子,片子结束的时候,仍出神良久,真的非常美。不知道该怎样形容,淡雅的气质,愁若馨香,那画面,那婉婉的故事,失落的,释然的,绿油油的与橙黄色的..
原声作的也异常出色
引:
首次作电影配乐的陈明章和许景淳为侯孝贤执导的影片“恋恋风尘”制作了40分钟的配乐。侯氏只采用了3分钟,但它却获得1987年法国南特影展最佳配乐奖,成为台湾首部在国际影展获此奖项的电影。之后这张原声带的母带不知去向,尘封7年后,终于在当年的摄影师家中书柜底下找了出来,于是我们得以一睹其风采。
原电影我未看过,无法体会张艺谋所作“淡极使之花更艳的含蓄”的评价,好在唱片内页将每段乐曲配合电影剧本创作时出现的场景一一用文字加以说明,使听者能够产生直观的印象。这张原声带收录了15段音乐,除原来的40分钟外,另加入侯氏拍摄的广告配乐以及另几首当时未收录入母带现为配合CD发行而重新录制的配乐,1993年的出品,虽不是HDCD或SACD之类的制作,但效果已相当迷人,无论是高远的女声哼唱、清纯的琴音,还是灵动的吉他声都给人留下完美的印象。含蓄内蕴,暗香浮影,恬静淡泊,东方情调十足,其中的“雨水”加入了许景淳的闽南语独白,极富韵味,犹如一首配乐散文诗,这是一张能使人产生如梦似真感觉的佳作。
《恋恋风尘》的原声唱片文案里赫然这样写道:相恋于乡间,分手于都市。这里面不仅包括了侯孝贤所定格的山水青苍,也有吴念真的初恋经历,还有着朱天文的悲喜纠结,更有着陈明章的宁静悠远。恋恋风尘是一代人成长的情结,没有暴力,没有晦涩,只有初恋淡淡的忧伤把时间围绕。
日历翻回到1986年,他们都还年轻。侯孝贤已经是知名的大导演,吴念真也拿了几个金马奖,朱天文更是人尽皆知的才女,只有陈明章那时候还很没有名气,他也不着急,叮叮咚咚地在他那把600块钱的吉他上实验乡土民谣。一个朋友帮忙,录了一卷带子,交给侯孝贤,所以,就有了《恋恋风尘》的电影配乐。确切地说起来,《恋恋风尘》的电影原声音乐是由陈明章、许景淳、陈扬共同完成的。陈明真的作曲和吉他、许景淳的声音和钢琴、陈扬的后期制作,缺一不可。就像朱天文、吴念真的才情,总是要在侯孝贤的电影里才显得最完美。







